By Andrew Jenck
- SUZUME
Makoto Shinkai captures an adventurous-feel largely absent from the current landscape, in this coming-of-age story that, while not groundbreaking, is still moving. Managing to be a story of relationships without being fully romantic, Suzume emphasizes the importance of self-love told through a rollicking road trip bearing rich atmosphere and gorgeous scale made with much sincerity. Available to stream on Crunchyroll; well-worth a free trial.
- POOR THINGS
Emma Stone delivers the best performance of the year, as a revitalized corpse learning how to live in this raunchy comedy. Such a bizarre premise ends up being one of the year’s sincerest pictures, learning the world’s complications while discovering oneself. The whole cast embodies their characters for hilarious interactions, and the cinematography portrays its Victorian era setting in the spirit of the times’ paintings. A psychedelic experience filled with passion and creativity that will stick with the viewers. Currently in theaters with a probable release on Hulu later this year.
- KILLERS OF THE FLOWER MOON
In his old age, Martin Scorsese is set on films with a meaningful impact, and he excels in this telling of the Osage tribe that’s in line with his previous work; yet shockingly real. Lilly Gladstone matches the talents of De Niro and Di Caprio in a story of remorse but not hopeless. Running over three hours long, the auteur and his team maintain engagement with scenes of unrelenting brutality faced with noble resilience. Set to stream on Apple TV+ January 12.
- BARBIE
Can the writing be somewhat wonky? Sure. Are its themes developed to their fullest potential? Not quite. Is it an incredibly fun time? Absolutely. Greta Gerwig and co. meet the standard of a blockbuster, creating a bold vision fully embracing its corporate roots while still maintaining a solid emotional core. Providing audiences with a unique experience is admirable in itself; functioning this well is a true accomplishment. For the two people who haven’t seen it yet, it’s currently on Max.
- PAST LIVES
Most of these films to varying extents are about self-reflection, and this story, the reuniting of childhood friends after one immigrated from South Korea, is no different. Extended takes emphasize the characters’ complicated feelings as they process alternative scenarios and romantic feelings not fulfilled due to forces outside their control, and how they’ve essentially lived multiple lives. As the most naturalistic of this selection, one will feel like they’ve known the characters for their whole life. Available to rent digitally.
- SPIDER-MAN: ACROSS THE SPIDER-VERSE
Although technically a “part one” it still delivers a complete experience, upping the already groundbreaking animation from the first film and being a coherent multiverse story by having a centering theme around parenting. Whereas spectacle hinders other superhero films, it elevates Spider-Man, making for a gorgeous canvas on the big screen and emphasizing Miles Morales’ journey into a difficult world but one he can power through. Available to stream on Netflix.
- THE HOLDOVERS
The second-best performance goes to Paul Giamatti, as he stars in a film reminiscent of eras past yet with the care and vision that could only be well-realized in current times. Domnic Sessa is the greatest discovery of the year, as he, Giamatti, and Da’Vine Joy round out a trio with comedic chemistry and nuanced dramatic scenes. Despite not directing a feature in six years, Alexander Payne eases back into the directing chair powerfully guiding his cast to a resonating climax. Available on demand and streaming on Peacock.
- GODZILLA: MINUS ONE
Separate from the American-produced films, this Japanese iteration of Godzilla focuses on post-war era Japan, as citizens’ lives are diminished by the government while having to stop a fire-breathing lizard. Like Top Gun: Maverick, the story is clear cut but with engaging characters, unlike other action films, focusing more on interactions to enhance the set pieces, and what pieces they are. The King of Monsters is terrifyingly epic desolating cities in which the aftermath makes an impact on the characters, mobilizing a ragtag team in the most gripping third act of the year. Currently in theaters, likely available to rent later this year.
- THE BOY AND THE HERON
Originally unsure if this would make the Top 10, Miyazaki’s return only improves upon further introspection. Few pictures were as layered or artistically driven as this masterful creation, trusting the audience to understand the film’s themes and worldbuilding. It’s attentive animation and sweeping score whisk away viewers into an experience that will not leave their heads for at least a week. Currently in theaters, set to release on Max later this year.
- OPPENHEIMER
The other half of the Barbenheimer event is Christopher Nolan’s masterpiece, encompassing his strengths and experiences into a singular film. Whereas the other movies succeed in certain aspects, only Oppenheimer strikes a balance in such harmony. Stripped down of the thrills of a blockbuster action film, the merging of different viewpoints and nonlinear storytelling grips the audience, at times unrelentingly. The best films are the ones that are most comprehensive, and Oppenheimer is as all encompassing as the New Mexican explosion.
